Mary Bacon

View details of Gelion Presentation on Behance. Gelion is a Sans serif with a geometric touch with a minimal contrast of strokes, inspired by form remaining true to the gracefully geometric look of the early 20th-century typefaces, that ticks off a long list of branding requirements.

Gelion carries two type forms with closed and open terminal, simply by changing the alternate character (adobe opentype features) as a whole the shape of the tillers changes.

More Gelion is available in seven weights, and a clean italic carefully crafted slanted 8 degrees.

Equipped with OpenType CFF and TTF fonts formats, like Ligature, Stylistic Alternate, Fractions, Tabular Lining, Subscript - Superscript, Symbols, Arrow, and more.

Alliance 28 weights, 14 uprights and its matching italics. Each typeface contains over 592 glyphs with extensive Western, Central and Eastern European language support.

ALLIANCE NO.1 More Inspired by Industrial era types from the end of the 19th century, attempts to follow the best of traditions of Grotesk typefaces, features monolinear strokes and a good amount of contrast between the stroke thickness of each weight.

With its very particular inktrapes, subtle in light versions and more visible in the black ones, Alliance No.

1 was developed with unique characters typeface to offer maximum flexibility. An airy metric aids good legibility in short texts. ALLIANCE NO.2 Alliance No.2 is a Display typeface, developed from original font family for use in large sizes, Based on the combination of contrasting shapes, This is a set of very useful for branding and advertising, Symbols for public areas, environment, transportation, Digital and urban life.

OPENTYPE FEATURES Including tabular figures, Alternate characters, ligatures, fractions, case-sensitive forms, superscripts, subscripts etc.

Obvia, a geohumanist type for all media. Obvia appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes - to be published soon - expanding its usability.

The idea behind Obvias design was to create a distancing from geometrically pure shapes, in this case, square shapes.

Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a geohumanist tone to the font.

More This first family of Obvia has 9 weights ranging from Thin to Black with their respective italics, delivering a strong typographic identity, from the paper to the pixel.

Useful links: TT Smalls PDF Type Specimen TT Smalls graphic presentation at Behance TT Smalls is a geometric sans serif created for use in video clips and for video production.

The main feature of the font family is the big difference between the uppercase and lowercase characters, in which we intentionally diminish the x-height.

At the same time, in order for signs to be readable and balanced, the font uses pronounced visual compensators and a large letter spacing.

More In the typeface there is a decorative set of alternative characters that covers the uppercase Latin alphabet, uppercase Cyrillic alphabet, and standard figures.

As the thickness of the strokes decreases, the number of layer lines in the design of the letter decreases.

For example, in the Black weight, the design in an alternative decorative set consists of 4 layers-lines, and in Thin already only of one line.

In order to simplify the access to this special set, we have programmed it for the SMCP (small caps) feature.

You just need to turn it on. Especially for video production we have prepared a set of particular catchwords that are included in each font, and whose height corresponds to the x-height of the lowercase sign.

For catchwords output, you need to type a special combination of characters. For example, to get the AKA catchword, you need to type one of the following combinations: a+k+a, or A+K+A, or a_k_a, or A_K_A.

Using any of these combinations will make the catchword appear. It is important to note that for successful use of catchwords, the feature calt (contextual alternates) must be permanently turned on.

The TT Smalls font family consists of 18 fonts: 9 weights and 9 italics.

The family has a set of stylistic alternatives, which make the typeface a bit more humanist when turned on.

TT Smalls features 16 ligatures, including several Cyrillic, old-style figures, a set of navigational arrows.

In addition, TT Smalls supports a large number of other useful OpenType features such as case, ordn, sups, sinf, dnom, numr, onum, tnum, pnum, calt, frac.

Gramatika shapes and styles are consistently tailored to each character to customized to meet this classic grotesque-ish contemporary style.

By offsetting the balance and flexibility, Gramatika established to create alternative communications for current trends and consists of several weights including Light to Black, equipped with Latin Pro, Cyrillic, and Greek language support.

Glatt the sequel of Platz Groteske is a typeface with the personality and the aesthetics of the neo-grotesque, however a slight touch of freshness and organic stand out this typeface; perfectly suited for any kind of work related to visual communication.

Glatts alternatives version includes diverse characters, Open Type functions, as well a, small caps, both lining and old style figures, and a fun shadowed version for headlines and display compositions.

Special acknowledgments to Ale Navarro, Raúl Meza, Rodrigo RodrigoTypo Araya, Valentina Pino and the whole W Foundry crew for the gestation of this project.

Arlon makes it easy to give any brand or advertising a cool & futuristic look. Thanks to its spurless letterforms and some uncommonly shaped letters, this typeface creates a strong visual impact even in small sizes.

Having generously rounded angles and terminals, Arlon also spreads warmth and friendliness.

To sum up, Arlon communicates an affinity for technology in a friendly way.

The family contains a really wide span from thin to black and has many Opentype features as well as many numerical variations to offer, making it a versatile font.

More From Afrikaans via romanized Chinese through to Zulu: Arlon comes with 631 glyphs per font, covering more than 200 languages.

Designed by Marc Lohner in 2018.

Big modern sans-serif family, for multiple use.

Scorno is a geometric sans serif that offers a high legibility also in the lighter weights.

Scorno is ideal for sports and technology. The shape of its letters makes it different from most geometric fonts, making it suitable for branding, magazines, catalogues and much more.

Scorno is available in nine weights, from thin to heavy plus matching italics and it comes with open type features like old style and lining figures, ligatures, numerator, denominator, scientific figures, and fractions.

Whats more, it also features the bitcoin symbol in the currencies set.

Astrid Grotesk is a normalized version of Schizotype Grotesk. Normalized; not neutralized. Where many neo-grotesks appear cold with their harsh neutrality, Astrid has a warmth, eminating from its (for want of a better word) clunkiness.

These upright styles represent the second instalment, adding the condensed styles to the mix.

Customers who got on board early with Astrid Grotesk get the updates for free, and those who purchase the full family now will receive the italic styles for free when they're released.

Astrid Grotesk, while being clearly a neo-grotesk in appearance, has a personality all of its own.

Standout characters include the f and t, and the default binocular g, unusual in neo-grotesks.

And the right angled terminals on c, e and s. Stylistic sets offer up alternate forms of a, g, y, I, @, dutch IJ, german eszett and l.

A full complement of numerals is included: proportional and tabular, lining and oldstyle, plus fractions, subscript and superscript.

Note also that the tabular figures (along with currency symbols) are duplexed across weights - very useful when highlighting specific entries in tables.

The tabular numerals feature also substitutes in fixed width (across all weights) comma and period, so your decimals line up perfectly always.

Lastly, case sensitive forms of certain glyphs are included for all-cap settings.

This typeface will be useful for corporate identities and branding work. Its spaced more for text settings in the normal width, and gets more display-optimized as the width decreases, but with careful tracking, all styles can sing at display sizes.

Bored of those other Swiss style typefaces? Astrid Grotesk could be the face you need to breathe new life into your designs.

Coupled with Schizotype Grotesk, its more eccentric cousin, you've got an unorthodox branding system ready to use straight out of the box.

Useful links: TT Severs PDF Type Specimen TT Severs graphic presentation at Behance TT Severs is a geometric grotesque with emphasized elements of internal brackets.

A distinctive feature of TT Severs is the unusual form of internal ovals, which refers us to the style of traditional Arabic writing.

TT Severs has a strong character and is great for use in high tech (IT), the web, in robotics, computer games, and sports.

More TT Severs is a 2-in-1 font family. In a large body size, it works great as a display font, creating a distinctive character for logos and headings.

At the same time, when TT Severs is used in a small body size or in large text arrays, the fonts peculiarities of bracket construction fade, and it perfectly functions as a text font, thanks to both the low contrast between vertical and horizontal strokes and the detailed logic of interaction of black and white letter elements.

The font family TT Severs includes 18 fonts, each of which consists of 558 glyphs.

The family has standard and discrete ligatures, which include experimental ligatures for the Cyrillic alphabet.

In addition, TT Severs can be made a little more humanistit is enough to turn on stylistic alternates, and due to them the font takes the form of a humanist grotesque, which refers us to traditional broad nib writing.

As part of the font family, you will also find old-style figures and a large number of OT features such as case, ordn, sups, sinf, dnom, numr, onum, tnum, pnum, liga, dlig, salt (ss01), frac.