Mary Bacon

View details of Gelion Presentation on Behance. Gelion is a Sans serif with a geometric touch with a minimal contrast of strokes, inspired by form remaining true to the gracefully geometric look of the early 20th-century typefaces, that ticks off a long list of branding requirements.

Gelion carries two type forms with closed and open terminal, simply by changing the alternate character (adobe opentype features) as a whole the shape of the tillers changes.

More Gelion is available in seven weights, and a clean italic carefully crafted slanted 8 degrees.

Equipped with OpenType CFF and TTF fonts formats, like Ligature, Stylistic Alternate, Fractions, Tabular Lining, Subscript - Superscript, Symbols, Arrow, and more.

US Bill Sans A Humanist typefaces sans serif. US Bill Sans has 12 weights, ranging from Light to Extrabold (including italics) and is ideally suited for advertising and packaging, book text, logo, branding and creative industries, small text, wayfinding and signage as well as web and screen design.

Provides with features such as ligatures, small capitals, alternate characters, fractions, and superand subscript characters.

It comes with a complete range of figure set options as well as Latin-based languages.

More Designed and produced by Firman Suci Ananda, Fajar Wahyu Pribadi & Irfan Ulya.

Published under Unidaas® Std Formatika Aksa IDN, 2018.

- Heptal is a typeface family with five weights including true italics. The geometry of the characters is neo-gothic and the serifs are polygonal concave or inverted Tuscan.

- Heptal fonts offer a complete set of lowercase alternatives and advanced open type functions.

- The proportions, the metrics and the Kerning are meticulously configured so that the texts are shown fluid and the graphic stain is compensated.

- These fonts have a wide table of characters (530 glyphs) with support for all the languages derived from Latin.

Kinn is an industrial san-serif typeface with an essence of squared structure inspired by a futuristic look.

Kinn is robust but portray a friendly touch with a little roundness to its shape, it can also be very formal when it needs to but it is flexible and fun to use at the same time.

Its wide proportion makes it ideally suited a wide range of modern applications and variety of usage from heavy display, headlines or even text.

Kinn comes in 9 consecutive weights, each weight accompany with italics. Equipped with Alternates, Ligatures and 10 Cryptocurrency signs.

Schuss Sans CG Poster 1 upright OTF Font Latin extended, Cyrillic and Greek. Specially developed for headline poster display sizes. A Sans Black Headline-Font in addition to the Schuss superfamily. The heights are optimized for big sizes, different to the text fonts of the Superfamily Schuss.

The character set is slightly different to the non poster styles too. No italic, no additional figures, no tabular figures, no small Caps. But with maximum manual kerning. Ligatures: fi, fl, ff, ffi, ffl. No special OpenType features.

Falena is a type family designed by Gianluca Boffito. This simple, easy-to-read, geometric-style sans serif family is published by Typoforge Studio and consists of 18 weights (together with italics).

It has more than 300 glyphs per style (including special characters). Falena works equally well in long form type settings and for titles, headings, posters. It comes with two sets of original dingbats (set 1 contains 52 ornaments, set 2 contains 52 truly distinctive and stylish icons).

Squalo, the genesis The idea of this new project called Squalo bumped into my mind when when I was working up with excitement to my sketches, chasing for a strong typographical character, that for me has to be crystallized in a form which is always legible and functional.

The concept. The concept of Squalo raises from the observation of athletes bodies: you can notice that even if they are all thin, they all show at the same time strong, cut and chiselled figures.

The sport they play molds and modify their bodies. Just think, for instance, to a professional swimmer: during the competition every single muscle, tendon, tissue, cell is working to swim faster.

Every single part is there to give strongness and speed like in a squalo (shark in italian).

Neither as an eel, nor as a mermaid, nor as a hake. Just like a shark. If you take a quick look, you can notice that the width of the typeface is slightly more condensed than that one of a regular typography sans serif.

This helped to strengthen the concept of stylized typography. On the other hand, the tip ends of the characters A, V, W, Z, v, w, z, create a feeling of tension, reinforcing the concept of shark, danger, caution, as well agile movements.

pure strength. I wanted to recall the exact moment of the kickstart in a 100 meters race: when the sprinter spreads all his powerful energy.

The italic version, starting from the former two typographical concepts (that is condensation and tension) emphasizes them.

First of all, I compressed the characters 10 percent more, and slanted it 10 degrees to the right.

With this movement I intended to convey the gorgeous feeling of tension in power and rapidity.

The typeface has 9 weights, from hair to black, and two versions, regular and italic.

There are 18 source files that contain small caps, unicase, tabular and oldstyle numbers, numerators and denominators, and much more.

Squalo is an ideal typeface that I recommend to use in marketing campaigns, in design of packaging, magazines, branding for tv programs, films, book texts, editorial, publications, logos, corporative projects, web texts, and graphic design in motion.

Squalo supports this languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwichin, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotck (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Mori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Qeqchi, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni

Mastro is a contemporary humanist sans serif. The lowercase shapes are simple yet distinct, its organic design (specially the italic) are based on different stroke modulation ideas combined into a coherent whole.

The uppercase is inspired in roman capital proportions yet keeping the lowercase stroke modulation.

Mastro has a total of 16 styles and it covers a large set of languages.

It also has many Opentype features, such as small caps, superscript numbers and letters, old style and lining figures, tabular figures, case sensitive forms, fractions and more.

More It is a design with a lot of personality while being versatile. You can use it in branding, editorial, web and video.

Haru is a high-contrast, decorative typefamily with 18 fonts. This family provides an advanced typographical support with features such as Proportional Figures, Tabular Figures, Case-Sensitive, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions, Standard Ligatures and Discretionary Ligatures.

Its unique shape and various combination will contribute to your impressive and distinctive title.

Avelana is a brush script typeface in true mid-1900s fashion. Hand-drawn by Måns Grebäck during 2018, this high-quality typeface comes in six styles. It has three weights, Avelana Thin, Avelana Medium, Avelana Bold, and each of the thicknesses as Italic.

The typeface is perfected for headlines and logotypes where you want a handwritten style.

More The font supports almost all Latin based languages, as well as Arabic.

In addition to that, it contains all punctuation and symbols you'll ever need.

It also comes with ligatures, contextual alternates and stylistic alternates. As a bonus, you'll get a font with matching swashes and decorative elements.

Just like Grandmas recipe, Recoleta combines a variety of ingredientsfrom various popular 1970s typefacessuch as the soft and gentle shapes found in Cooper or fluid, angled strokes in Windsor mixed into one single design that features familiar yet fresh, modern flavors.

Its variety of weights provides a range of choices that will help you find the best typographic color for your project.

Lighter weights are well-suited for body text while heavier ones are ideal for high impact headlines.

The available stylistic alternates offer a number of different characters that give your logo or business card a unique look.

I have always had a keen interest in forging; I used to be a silversmith, and I love working with metal.

Some time ago I forged my first axe (a skeggøx or bearded axe), sharpened it and fitted it with a handmade ash handle.

It isnt perfect, but it is my first ever forged axe and Im pretty proud of it.

All of this went through my head when I started drawing the glyphs for this font.

And to be honest, I couldnt find a more suitable name for it! Bladesmith is a handmade font, forged in fire (haha).

It was actually made with an old sharpie. It is a rough and ready font, quite suited for headlines, book covers and posters.

Jiho Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with minimal & modern shapes without any decorative distractions.

The spaces between individual letter forms are precisely adjusted to create the perfect typesetting.

Jiho is versatile type family of 18 fonts. Jiho family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics.

The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets.

Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions, old style-figures and case features.

We highly recommend it for use in signage, books, web pages, screen displays, and so on.