Mary Bacon

The Genesa typeface is a condensed, rounded sans serif typeface with a contemporary styling ideal for editorial or branding design.

With its 4 weights and accompanying italics, this family can be used for large titles or display settings but is equally legible in small sizes for longer passages of text.

Genesa combines a strong, vertical constructed style with a softer rounded approach that adds a humanist flavour.

This typeface covers multiple languages through an extensive character set and a wide range of Opentype features that allow various character or numeral choices.

A set of over 60 pictograms and arrows are equally features and through their carrying weights, can also be combined seamlessly with any style of the family.

Tyrium is the font pack. The Normal font combines with the alternate character font to make each word unique. Then add the Splatters font as your tagline and the ideal logo! Whats include: - Tyrium (.

ttf & .otf) Includes opentype features. - Splatters (.ttf & .otf) Perfectly combine with Tyrium to create cool - typography or logo design. - Includes a range of multilingual support.

Marmalade Script by Uniontype is a modern multilingual type family inspired by vintage monoline fonts.

The family consists of light, regular, bold and printed styles. Choose olor and offset according to your taste. Marmalade Script provides advanced typographical support with contextual alternates, ligatures and swashes.

That way, youll have automatic access to the dozens extra glyphs in each of the fonts.

Marmalade Script is good for menu, signs, packaging, posters, letterings and logos.

Jiho Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with minimal & modern shapes without any decorative distractions.

The spaces between individual letter forms are precisely adjusted to create the perfect typesetting.

Jiho is versatile type family of 18 fonts. Jiho family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics.

The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets.

Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions, old style-figures and case features.

We highly recommend it for use in signage, books, web pages, screen displays, and so on.

Punto Poly is the layered type system of Punto for cromatic typesetting. Endless effects can be created by 11 stackable layers and different colors. The dots of Punto Poly are not made up of grid-based dots, they are optical corrected and there is always the same distance between the dots, with the aim to create more harmonic letterforms.

The dots also vary gradually in size to reflect the thickening and thinning of strokes, giving the letterforms a sophisticated overall look.

Punto Poly comes up with 11 layer system and is perfectly suited for logos, posters, brands and magazines.

The language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Presenting Insane Fear brutal typeface. It includes rough and clean versions with separated font layer of extrude effect. As you see the first and the last characters can be different. Just select the last letter and enable Stylistic alternate feature.

Inspired by old school sign painting techniques, Grand is a display condensed sans serif that isn't shy to put its foot down.

Its verticality and bulky curves combined with its sharp angular connections between the bowls and stems give Grand a distinctive look and feel.

It comes in 12 styles (6 weights and accompanying italics), and supports over 200 languages.

Grand Regular and Grand Italic are both available for free (personal and commercial use).

The publication of this more mature design is the result of a previous 1-style project which was developed in 2010.

Rita, the new design, has increased from one single style to a full font family, with a strong personality, ideal for short text for high impact designs.

Rita is a slab serif typeface that offers a wide range of weights and widthsfrom a thin, ultra condensed font to a heavy variant for poster design.

Its variety of weights and widths allows users to create a number of different compositions such as titles and text for impact or high impact graphics.

More Rita comes in 10 styles and includes a set of 400 characters that support over 200 languages.

Rita was designed by Daniel Hernández with the collaboration of Rodrigo Fuenzalida.

Viktor Solt-Bittner drew logo sketches for an insurance company. Luckily for Schriftlabor, they rejected the design, and he turned the sketches into a font family.

Years later, Plantago was expanded, developed and completed by Schriftlabors type directors Franziska Hubmann and Lisa Schultz.

Plantago shows delicate leaf-like stroke endings and subtle curvings and offers condensed and wide variants.

Typeset in 6 weights from Light to Black, 3 widths from Condensed to Extended, both upright and italic, totaling in no less than 36 styles.

Breakfast Script is an elegant connected script family of three weights. Breakfast Script is equipped with Contextual Alternates that helps to keep connections smooth.

Every standard character also has Swash Alternate for more funky letters. In addition theres 26 ending swooshes placed in a-z that you can access from Stylistic Alternates.

Breakfast Script is a great display type that works as a logotype or fancy headline type.

Demo is a flat-sided, technoid-style sans serif family. It has ten fonts on offer; thats five different weights, each with a companion italic.

The italics are really obliques, differentiating themselves from texts set with the upright fonts by their slant.

However, rather than calling the italic fonts slanted versions of Demos upright fonts, we should rather say that Demos upright fonts are straightened-up italics.

Much of the letter construction in the Demo typeface is actually italic, meaning that it is inspired by handwriting.

And this despite its being a sans serif with an almost futuristic appearance.

The a and g in Demo are both single-storey, but the combination of curves and corners in these two letters is right out of a 16th-century Italian chancery.

The other notable feature of Demo is the strong mono-linearity present in all ten of the fonts.

Demos letters do not include any visible stroke contrast: Demos lowercase has a very tall x-height, and the capital letters are compact (the lowercases ascender strokes rise above the caps somewhat).

Demo does not need to be restricted to use in display sizes only; its lighter weights may be used to set shorter passages of body copy, too.

Demo was designed by Aarya Purohit and the Indian Type Foundry (ITF).

Interlink is a single-weight, all-caps stencil typeface designed by the French designer Julie Soudanne.

Its forms are monolinear, and they have the feeling of a contemporary-style sans serif.

Interlinks letters are nice and geometric, but they are not mono-width. Nevertheless, Soudanne constructed many of the characters so that they feel like they might be equally wide, even though they are not.

Aside from the stencil-optic, Interlinks best feature is its unique series of 68 ligatures.

This large set includes both two-letter and three-letter ligatures. The OpenType Ligatures feature is so important to this design that the letters ability to link-up to each other is referenced in the typefaces very name: Interlink is, basically, a palette of inter-linking letters for designers to use in display sizes.

Interlink may be used very well in headlines, or for logo design. The typeface may be paired with virtually any kind of body text fonts, be these serif or sans.