Mary Bacon

Plaquette is a collection of retro typefaces ranging from victorian to bauhaus to the sixties.

They are all equipped with a load of OpenType features such as alternates, catchwords, stylistics sets and others.

Plaquette 3D A chromatic set of fonts including gradient and outline layers. Crisp and precise. Plaquette Lovecraft More A vintage typeface with some sweet discretionary ligatures to make your typography exciting.

Take a look at the many alternates. Plaquette Sittl A clean geometric style with many alternative letters, some inspired by Paul Renners original Futura.

Plaquette Labels This set provides you with 220 different shapes ideal for logos, plates and labels.

An elegant sans with a low lower-case x-height, diamond-shaped dots and a reweighed complimentary italic with subtle calligraphic touches.

With its generous spacing and leading, Argent is very readable in extended text settings, appearing warm and readable.

The wide range of weights, from thin to heavy, provide all the necessary options for headline and text, the basis of any comprehensive design system.

Perfect for brochures and magazines.

The pan-European Cera Collection is driven by pure geometry and contains the bestselling Cera, its stenciled counterpart Cera Stencil, the hand-crafted display Cera Brush and the soft Cera Round.

Developed for the narrow reading environments of mobile devices, user interfaces and text columns, Cera Condensed and Compact take the clarity and geometry of Cera Pro to new places.

More Narrow but not obviously condensed, Cera Compact is made for efficiency in body text.

With regularly proportioned spacing it has the flexibility for text and headlines, taking up less space without making text less readable.

Super tight Cera Condensed is for when you need a geometric sans that can work in a narrow space, large or small; compact information leaflet or compressed headline.

Condensed or Compact, a broad spectrum of six weights, thin to black, each with matching italics makes these fonts ready for any typographical requirement and reliable typographic tools for interfaces and corporate design.

And it gets even better: for best on-screen performance the TrueType files for the web and desktop fonts are improved with manual hinting.

The extended, pan-European Cera Condensed and Compact support around 150 languages in the Latin, Cyrillic and Greek scripts, and its non-Latin components were developed with native consultants.

With over 980 glyphs per style, Cera Condensed and Compact care about localised letterforms and have the OpenType features to match.

Brooklyn Heritage Family is a new intake on early 1930s classics. It is a modern font family with a vintage look that was designed with graphic designers in mind.

Influenced by geometric forms of Futura and Gill Sans, and inspired by brush lettering used in movie posters in the 30s ( see The Lodger, Tender Comrade, Primerose Path), it gives the old classics a new life.

Brooklyn Heritage Sans Serif comes in 5 weights and 2 widths plus italics.

It has many OpenType features embedded - oldstyle numerals, stylistic alternates, ligatures, case sensitive forms etc.

Script font is full of alternates both stylistic and contextual as well as ligatures.

More Simple yet versatile, Brooklyn Heritage Font Family can be used in all sorts of design projects from branding to website design, from packaging to ebooks layout.

Thanks to Grotesque fonts manual hinting, their appearance on the screens is flawless.

The family supports more than 70 European languages.

Cinematica was specially designed for film credits in communication pieces. Due to its space saving qualities, geometric elegance of its shapes, and eight wights; it allows a wide range of uses.

Its geometry makes Cinem·tica able to harmonize and unify any text, incorporating the necessary signs for composition in English, Spanish, Italian, French, German and Portuguese.

The Regular weight also incorporates statements that usually appear in film credits (such as ìdirected byî, ìproduced byî, etc.

) that have been programmed as predetermined ligatures and can be accessed by typing a short sequence of signs to avoid typing the full phrase.

More To make the most of the alternatives proposed, use applications that support Open Type.

Take a look at the User Guide.