Mary Bacon

I bought something online, but when I received it, it wasnt exactly what I had hoped it would be.

So I read the return policy and sent it back. And came up with this font and its name in the process! Return Policy is a hand drawn slab serif, inspired by a bunch of slab serifs from the early 20th century.

Return Policy has been given a grunge overhaul, making it ideal for sturdy products, websites with an industrial look and manly posters.

Obvia, a geohumanist type for all media. Obvia appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes - to be published soon - expanding its usability.

The idea behind Obvias design was to create a distancing from geometrically pure shapes, in this case, square shapes.

Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a geohumanist tone to the font.

More This first family of Obvia has 9 weights ranging from Thin to Black with their respective italics, delivering a strong typographic identity, from the paper to the pixel.

Neptune is a large family of geometric sans serif fonts. Its designer Gaetan Baehr has created 12 styles: six different weights, ranging from Extralight to Extrabold.

Each has an upright and an oblique font on offer. Letters in all of Neptunes weights are drawn with virtually mono-linear strokes. Its lowercase letters have a tall x-height, but still leave enough room for the fonts diacritical marks.

These are actually quite large; theyll always be noticed, even in small sizes.

Neptunes a and g both have single-storey forms. The dots on the i, j, and diacritics are round, as are the punctuation marks, too. Despite being a geometric sans, Neptune features letters that break away somewhat from what previous fonts in that style have offered.

The Qs tail has been simplified into a short, vertical stroke. The strokes on both the S and the s terminate in vertical cuts, instead of having horizontal or diagonal terminals.

The lowercase k and t each have traits that come from our alphabets handwritten origins.

These details give text set in Neptune a different feeling from other geometric sans serifs.

Neptune is an excellent choice for both corporate design and editorial design projects, both because of its range of weights as well as its legibility in text.

URW Geometric is a sans serif typeface inspired by the German geometric typefaces of the 1920s but designed for modern usability.

The character shapes have optimized proportions and an improved balance, the x-height is increased, ascenders and descenders are decreased.

These design characteristics increase the usability and legibility tremendously. Accordingly to the URW Geometric, Boutros Fonts designed the URW Geometric Arabic. 10 weights, which harmonize perfectly with the Latin ones, were created from Thin to Black.

As long as uniqueness is the main goal among the type designers, our goal in this project was to be far away from that uniqueness, build it with typography standards & holding with the type axioms since the beginning appearance of modern typography.

After more than 600 hours of working on create, produce & release the whole typeface family.

MB Grotesk is a flawless branching from the Original Grotesque category characterized by its 351 standard glyphs structures, combined geometric rules with grotesque type theories.

More MB Grotesk has 7 weights & their italics. And it supports many languages, starts from Western European until the Eastern & Cyrillic.

Other than that we looking for extending that version to present you condensed, extended & Arabic versions as soon as possible.

Nominee is a cinematic font family made up of 11 weights, 3 widths, and matching italics, that equates to a substantial 66 font styles that feel individually crafted but also part of a larger structured system.

The versatile font styles range from an elegant Hairline to a dominant Heavy, Condensed to Extended, which creates such an extensive range of uses and applications, from web and apps to editorial and branding, and everything in between.

The increased x-height gives the font more readability at smaller sizes and the contemporary shapes mean the font likes to be shown off at large sizes.

More The font features details such as case sensitive characters, numerators and denominators, and support for Central and Eastern European along with Western European languages and Basic Cyrillic.

The objective of this font is to find the essence of our Latin alphabet and therefore the essence of every single glyph in it.

The search was lead by two principles: 1. What are the basic building blocks of each glyph? 2. Stripped back from any superfluous movements while writing, what shape would remain? The resulting design consists of merely straight lines and circles.

The basic elements of each glyph are accented by a gap.

Cinematica was specially designed for film credits in communication pieces. Due to its space saving qualities, geometric elegance of its shapes, and eight wights; it allows a wide range of uses.

Its geometry makes Cinem·tica able to harmonize and unify any text, incorporating the necessary signs for composition in English, Spanish, Italian, French, German and Portuguese.

The Regular weight also incorporates statements that usually appear in film credits (such as ìdirected byî, ìproduced byî, etc.

) that have been programmed as predetermined ligatures and can be accessed by typing a short sequence of signs to avoid typing the full phrase.

More To make the most of the alternatives proposed, use applications that support Open Type.

Take a look at the User Guide.

BF Konkret Grotesk Pro, designed by Guido Schneider, is a contemporary grotesque with a straightforward style but a very individual touch.

Inspired by classic grotesque typefaces, Konkret Grotesk Pro impresses with its unique character and rhythm: Its elegant and edgy, flexible and forceful.

The Pro family supports up to 220 Latin-based languages. Each of the 16 fonts contains more than 1500 glyphs, including small caps, 7 figure sets, fractions, many ligatures, currency symbols, alternates, special characters and other useful symbols.

11 style sets give you the option to individualize and adjust the typeface to the requirement of your design, without changing the general visual feeling.

In this way you can also switch the simply slanted styled Italic into a real Italic.

More BF Konkret Grotesk Pro is a typeface family that can adapt to many requirements without losing its character and expression.

The range of 8 weights provides all possibilities. Due to the lovingly designed details, Konkret Grotesk Pro works both in small sizes as well as in display applications.

Thus, Konkret Grotesk Pro is ideally suited for contemporary and demanding typographic tasks, both in the fields of editorial design, branding, posters and advertising.

(The new Pro edition is the extended and optimized version of the previous BF Konkret Grotesk.

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Yuen typeface, with some sense of contemporary arts, the typeface appears rounded and with a mix of gentleness and strength.

Different weights are available in the family. Light is legible and comfortable for reading because of its smoothness, limpidity and tidiness, as well as its graceful curves.

Strokes of Semibold have a unified thickness, the characters are modest and genuine.

Xbold face is similarly rounded as all other styles but much blacker to be an attention-catcher.

BOSPHORUS The Bosphorus Turkish: stanbul Boaz, is a narrow, natural strait and an internationally significant waterway located in northwestern Turkey.

It forms part of the continental boundary between Europe and Asia, and separates Asian Turkey from European Turkey.

The worlds narrowest strait used for international navigation, the Bosporus connects the Black Sea with the Sea of Marmara, and, by extension via the Dardanelles, the Aegean and Mediterranean Seas.

More There is not much to say for Bosphorus. Font of my dreams. I can't wait to see the fantastic designs that designers will make with this font. I am sure Bosphorus will carry the designs of graphic designers to a new stage. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design.

Optimized for web, tablet and smartphone applications. Also Bosphorus is a perfect screen display font. TECHNICAL: Bosphorus provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family.

The designation Bosphorus 50 Normal 53 Regular forms the central point. The first figure of the number describes the stroke thickness: 51 Thin to 56 Black. 5 Width / 6 Weights and italics also Bosphorus total 60 types. The family contains a set of 530 characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs.

You can enjoy using it.

Although traditional Heiti typefaces may not be as lively as Songti, the modesty of M Hei makes is enduring and stand out from other similar typefaces.

M Heis design is based on the hallmarks of traditional Heiti typefaces: it has little to no thick-thin contrast in strokes and has square cut terminals.

Its dots (), ticks () and downstrokes () are subtly curved and longer than usual; all stems () and crossbars () remain simple and clear; and hooks () appear rounded.

Together they make a harmonious form which is clean but pure, classy but contemporary.