Mary Bacon

The main problem with handwritten fonts is the limited use in body text. Bodyhand is specifically designed to remedy this, for example when designing childrens books with a larger amount of text or in similar contexts.

Bodyhand is especially adapted to read comfortably even when used in small font size and requires approximately the same space as the fonts we usually use in body text, such as Times or Helvetica.

Alliance 28 weights, 14 uprights and its matching italics. Each typeface contains over 592 glyphs with extensive Western, Central and Eastern European language support.

ALLIANCE NO.1 More Inspired by Industrial era types from the end of the 19th century, attempts to follow the best of traditions of Grotesk typefaces, features monolinear strokes and a good amount of contrast between the stroke thickness of each weight.

With its very particular inktrapes, subtle in light versions and more visible in the black ones, Alliance No.

1 was developed with unique characters typeface to offer maximum flexibility. An airy metric aids good legibility in short texts. ALLIANCE NO.2 Alliance No.2 is a Display typeface, developed from original font family for use in large sizes, Based on the combination of contrasting shapes, This is a set of very useful for branding and advertising, Symbols for public areas, environment, transportation, Digital and urban life.

OPENTYPE FEATURES Including tabular figures, Alternate characters, ligatures, fractions, case-sensitive forms, superscripts, subscripts etc.

Gramatika shapes and styles are consistently tailored to each character to customized to meet this classic grotesque-ish contemporary style.

By offsetting the balance and flexibility, Gramatika established to create alternative communications for current trends and consists of several weights including Light to Black, equipped with Latin Pro, Cyrillic, and Greek language support.

Nominee is a cinematic font family made up of 11 weights, 3 widths, and matching italics, that equates to a substantial 66 font styles that feel individually crafted but also part of a larger structured system.

The versatile font styles range from an elegant Hairline to a dominant Heavy, Condensed to Extended, which creates such an extensive range of uses and applications, from web and apps to editorial and branding, and everything in between.

The increased x-height gives the font more readability at smaller sizes and the contemporary shapes mean the font likes to be shown off at large sizes.

More The font features details such as case sensitive characters, numerators and denominators, and support for Central and Eastern European along with Western European languages and Basic Cyrillic.

Glatt the sequel of Platz Groteske is a typeface with the personality and the aesthetics of the neo-grotesque, however a slight touch of freshness and organic stand out this typeface; perfectly suited for any kind of work related to visual communication.

Glatts alternatives version includes diverse characters, Open Type functions, as well a, small caps, both lining and old style figures, and a fun shadowed version for headlines and display compositions.

Special acknowledgments to Ale Navarro, Raúl Meza, Rodrigo RodrigoTypo Araya, Valentina Pino and the whole W Foundry crew for the gestation of this project.

An elegant sans with a low lower-case x-height, diamond-shaped dots and a reweighed complimentary italic with subtle calligraphic touches.

With its generous spacing and leading, Argent is very readable in extended text settings, appearing warm and readable.

The wide range of weights, from thin to heavy, provide all the necessary options for headline and text, the basis of any comprehensive design system.

Perfect for brochures and magazines.

Yuen typeface, with some sense of contemporary arts, the typeface appears rounded and with a mix of gentleness and strength.

Different weights are available in the family. Light is legible and comfortable for reading because of its smoothness, limpidity and tidiness, as well as its graceful curves.

Strokes of Semibold have a unified thickness, the characters are modest and genuine.

Xbold face is similarly rounded as all other styles but much blacker to be an attention-catcher.

Although traditional Heiti typefaces may not be as lively as Songti, the modesty of M Hei makes is enduring and stand out from other similar typefaces.

M Heis design is based on the hallmarks of traditional Heiti typefaces: it has little to no thick-thin contrast in strokes and has square cut terminals.

Its dots (), ticks () and downstrokes () are subtly curved and longer than usual; all stems () and crossbars () remain simple and clear; and hooks () appear rounded.

Together they make a harmonious form which is clean but pure, classy but contemporary.

Useful links: TT Severs PDF Type Specimen TT Severs graphic presentation at Behance TT Severs is a geometric grotesque with emphasized elements of internal brackets.

A distinctive feature of TT Severs is the unusual form of internal ovals, which refers us to the style of traditional Arabic writing.

TT Severs has a strong character and is great for use in high tech (IT), the web, in robotics, computer games, and sports.

More TT Severs is a 2-in-1 font family. In a large body size, it works great as a display font, creating a distinctive character for logos and headings.

At the same time, when TT Severs is used in a small body size or in large text arrays, the fonts peculiarities of bracket construction fade, and it perfectly functions as a text font, thanks to both the low contrast between vertical and horizontal strokes and the detailed logic of interaction of black and white letter elements.

The font family TT Severs includes 18 fonts, each of which consists of 558 glyphs.

The family has standard and discrete ligatures, which include experimental ligatures for the Cyrillic alphabet.

In addition, TT Severs can be made a little more humanistit is enough to turn on stylistic alternates, and due to them the font takes the form of a humanist grotesque, which refers us to traditional broad nib writing.

As part of the font family, you will also find old-style figures and a large number of OT features such as case, ordn, sups, sinf, dnom, numr, onum, tnum, pnum, liga, dlig, salt (ss01), frac.