Mary Bacon

Bluset Monospaced enlarges the re-worked and expanded text- and headline typeface family Bluest Now with 6 new cuts.

The concept for Bluest Now was based, in its original form, on a corporate design typeface by Elsner+Flake in 2004, ordered by the Landor Agency for a large German energy corporation.

Regularly re-worked and brought up to modern standards, the typeface is still used to this day.

More Because of its large x-height and its well-balanced appearance, Bluset Now Mono is also excellent for use in small typesizes.

The three Roman cuts, Regular, Medium and Bold, and the corresponding obliques, allow a clear differentiation of base- and display applications for every typesize.

The character complement has been created for 72 Latin-based language areas and thus allows a neutral text exchange across language borders.

Translation Inga Wennik

Newmark-Hebrew is in addition to the Jonahfonts Newmark. I have added Hebrew to Newmark but without cantillation marks. Very much used in everyday modern Hebrew. I have added Alternate Stylistics with just some additional cantillation marks which in some cases may be necessary, use Character Map (Windows) or Character Viewer (Mac).

This font does require OpenType-aware software.

Bison is a strong Fontfamily and sophisticated sans serif. Inspired by the animal, its sturdy uncompromising style is felt through the controlled letterforms and modern touches.

A balance of hard lines and smooth curves. Each font in the family can stand on its own, dynamic and authoritative in their own right.

Bison includes ten all-caps fonts: Four weights, two outlines, six italics. More Bison Bold - Bold and commanding Bison Demibold - The persuasive middleweight Bison Regular - A sturdy midground between light and bolds Bison Light - Quiet but confident Bison Outline (Thick and Thin) - Edgy and engaging --- FEATURES Four weights / Italics / Outlines / Numbers & Punctuation / Extensive Language Support USE Bison works great in any branding, logos, magazines, films.

The different weights give you full range to explore a whole host of applications, while the outlined fonts give a real modern feel to any project.

Ana is a chromatic typeface consisting of 26 uppercase Latin characters, inspired by arabesque patterns from the nineteenth century.

Programmed to enable users to easily create multicolored drop caps and initials, this decorative display typeface features a different ornament for every letterform, which fits perfectly with its glyph shape.

This ornament is usually more luxurious on the left side of the letter, while on the right it is scarce, so that the body text can be placed close to the initial.

These initials are valuable for use in large sizes, like posters, magazines, packaging design, fairy tales, and so on.

The final forms of the initials consist of 5 parts which can be individually colored.

There are 5 font files named Ana Layer A, Ana Layer B, and so on. A font user can manually create a multicolored initial with these font files, if there is no possibility to use the Contextual Alternates option.

To do that, it is necessary to make 5 layers in the page layout software.

Then, the corresponding character should be placed on each layer, so that Ana Layer A is on the lowest layer and Ana Layer E is on the highest one.

Note that the glyph shapes are contained in the lower case positions. In contrast, the font file named Ana is programmed, so it is possible to create a multicolored initial with the Contextual Alternates command.

There is no need for additional layers, everything happens on a single layer.

First, the Contextual Alternates command (usually under OpenType menu) should be disabled.

Then, using lower case key, type the desired character 5 times and apply color to them.

Select them all and turn on the Contextual Alternates. Also, the font file Ana comes with a set of black initials that can be used just like any other non-color typeface.

The ornamental versions are contained in the uppercase positions, while the letters without the ornaments are in the lower case.

With the font file Ana Monochrome one can only get the monochrome initials.

Ornamental letters are contained in the upper case positions, while the letterforms without the ornaments are in the lower case.

Jiho Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with minimal & modern shapes without any decorative distractions.

The spaces between individual letter forms are precisely adjusted to create the perfect typesetting.

Jiho is versatile type family of 18 fonts. Jiho family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics.

The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets.

Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions, old style-figures and case features.

We highly recommend it for use in signage, books, web pages, screen displays, and so on.

Waba Pronounced Vah-bah, is a font family that I designed. The name comes from a historical variation on the Estonian word vaba meaning free, or at liberty.

More Back in 2017 I visited the Estonian Print & Paper Museum in Tartu to see its great collection of type (well worth a visit!).

While I was there I saw some big woodcut blocks of Reklameschrift Herold - a super Art Nouveau/Jugendstil style display font.

The Print & Paper Museums collection covers both Latin and Cyrillic faces and as a foreigner in these parts I'm kind of fascinated by the exoticism of Cyrillic.

How it is different but the same to the Latin letters I take for granted (as a humble Englander no excuses).

Not to mention, Jugendstil with its imitation of natural form, reverse-weights and looping-delicious curves (like you've left the window open all summer and the garden plants are climbing in).

This mix of Jugendstil, Cyrillic letters and the beautiful historical border town of Tartu inspired me to start drawing Waba.

Trimming the serifs from Herold, simplifying those angles and expanding the category of weights, then taking look at the magical logic of Berthold Block and doing a few things that just seemed right at the time Waba is a bit of love letter to Estonia, the Baltics and the visual history of Eastern Europe.

Waba Monogram Waba also contains a monogram face, which allows you to create any monogramming latin and cyrillic.

Simply type out your 2-3-4 characters in Waba Monogram, making sure Contextual Alternates is turned on them voila! Monograms can be customised manually using the OpenType select-pop-up in Adobe.

Also included are a few Discretionary Ligatures for Mc, De, Von etc. Monograms work best when Contextual Alternates is turned on.

Cardillac, named after E.T.A. Hoffmanns literary figure, refers back to classical Didonesque, yet presents unique details which set it apart from historic models by adding a new flavour.

Its clarity, noble appearance and cool elegance predestine it for magazines and newspapers.

The Cardillac Family consists of 14 styles, provides many features which allow its application for ambitious typography.

It comes in OpenType format with extended language support. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.