Mary Bacon

Bieta is a sans-serif font family designed by Naghi Naghashian in four weights. Bieta Light, Bieta Regular, Bieta Bold and Bieta Heavy. Width of this font family is almost condensed therefore specially space saving. Bold and heavy versions are suitable particularly for big titles. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility.

Bieta supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Bieta design fulfills the following needs: More A Explicitly crafted for use in electronic media fulfills the demands of electronic communication.

B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.

g., in Photoshop or Illustrator. Bietas simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text.

D An attractive typographic image. Bieta was developed for multiple languages and writing conventions. Bieta supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Afshid is a sans-serif font family in three weights and tow width. Afshid Regular and Afshid ExpandedRegular, Afshid Bold and Afshid ExpandedBold, Afshid Heavy and Afshid ExpandedHeavy.

This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement and provides more typographic flexibility.

Afshid supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Afshid design fulfills the following needs: More A Explicitly crafted for use in electronic media fulfills the demands of electronic communication.

B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.

g., in Photoshop or Illustrator. Afshids simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text.

D An attractive typographic image. Afshid was developed for multiple languages and writing conventions. Afshid supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

HS Almisk is a display typeface. It can be used for titles and graphic projects, which support Arabic and. It has been created based on modern kufi style. It enjoys flexibility between sharp and curved lines in the structure of characters. This supports with a beautiful appearance and wonderful geometric structure. The sharp endings in the bottom of character also give an aesthetic addition to the character.

(8) Weights has been created for this typeface between the Light weight and Black weight.

Besides, those three additional weights which can be used in headline, has baseline parts are thicker than the vertical parts.

One has a regular form and the others has a stencil form in the middle using various styles.

This typeface with its diversity of (8) weights is intended to be an attempt for a good addition to Arabic typography.

HS Almisk Serif is a display typeface. It can be used for titles and graphic projects, which support Arabic and. It has been created based on modern kufi style. It enjoys flexibility between sharp and curved lines in the structure of characters. This supports with a beautiful appearance and wonderful geometric structure. It based on HS Almisk typeface with a serif on some of its characters. (5) Weights has been created for this typeface between the Light weight and Black weight.

This typeface with its diversity of (5) weights is intended to be an attempt for a good addition to Arabic typography.