Mary Bacon

Lu Nolasco, also known as Lunol, is a fresh representative of a new generation of Souther American lettering artists.

She was born in Lima, Peru. After learning from some of the regions best teachers and exploring the pointed nib on her own, she became a prolific lettering workshop instructor herself.

More Miraflores is one of Limas main tourist attractions. An upscale district with a great window on the Pacific ocean, it is the place where Lu looks for inspiration.

It particularly inspired this Looking flowers (Miranda las flores), Lunols first typeface, designed in collaboration with Ale Paul.

It is a comprehensive informal script that comes with many alternates, swashes and ligatures, along with small cap and quite a few ornaments.

The fonts cover an expansive range of Latin languages, and are intended for use in stationery, menus, packaging, and general design where the main objective is to relay a sense of fun, playfulness and sensibility.

Rapid Writing is based on the Rapid and Muscular Methods of writing, where the whole arm instead of the wrist is used to write.

Copybooks and vertical writing fostered form at the expense of freedom. Speed and muscular movement have fostered freedom at the expense of form. This font is based upon form and movement and brings spontaneity and freedom to calligraphy! The font is full contrast, swashes, round forms, ligatures, contextual alternates and other surprises.

OPENTYPE FEATURES 34 Contextual Alternates 32 Standard Ligatures Several Stylistic Alternates (2 options for A-Z/0-9) Ending Swashes (Each character (A-Z) has up to 12 swash endings) Not to mention the font has 710 glyphs.

More HOW TO USE THE ENDING SWASHES Its very simple! Simply write the word+ > (greater symbol).

For example: Typography> Typography>> Typography>>> etc. After each > you get a different ending swash for each character. So there are lots of different combinations and alternatives to suit your needs! The font also comes with a PDF Manual.

If you have any questions, please get in touch at hello@eduardorecife.com

Stay Classy! ...with the suave new Stay Classy Font Duo consisting of a sophisticated signature-style script, and an elegant, classy, all-caps serif font.

With impeccably refined curves and silky smooth edges, the Stay Classy Font Duo is perfect for adding a classy, modern touch to your projects.

Perfect for branding, weddings, social media, product design, stationery and advertising - Stay Classy is versatile enough to add that elegant element to just about any project where a special touch of class is required.

More THE SCRIPT : To make the script appear as natural as possible in your designs , I have included 2 sets of opentype stylistic lowercase alternates - one of which includes the elegant end letters.

Words look more naturally finished off if end letters are formed with a subtle up-curve.

Last but certainly not least, a large selection of 30 carefully styled character ligatures ( letter combinations ) have also been built in ( see previews above ) .

For those after a more rustic, original look. THE SERIF : The Serif includes carefully constructed built-in opentype kerning pairs to ensure impeccable letter spacing throughout the font.

Typically, in any all-caps serif font, there are certain letter pairs (such as OV AW AT AY AV WO and many more ) that often look incorrectly spaced when coupled together, due to their natural dimensions.

Built-in opentype kerning pairs eliminate this issue - meaning perfectly balanced letter spacing no matter what you type.

Yuen typeface, with some sense of contemporary arts, the typeface appears rounded and with a mix of gentleness and strength.

Different weights are available in the family. Light is legible and comfortable for reading because of its smoothness, limpidity and tidiness, as well as its graceful curves.

Strokes of Semibold have a unified thickness, the characters are modest and genuine.

Xbold face is similarly rounded as all other styles but much blacker to be an attention-catcher.

Clean, crisp, rational, familiar, modern serifed. Positype Scotch reaches back to history just enough to produce something warm and easy on the eyes.

No corners were cut, no quick tricks this type suite was drawn for specificity: Text, Display, and Deck ALL in 3 widths that now include Condensed and Compressed.

Each unique, each inter-connected, each part of the whole. Scotch Text is offered in 6 weights with matching true italics. Drawn for economy and an easy read, the family is a workhorse for long-passage text settings.

4 sets of numerals, well-proportioned small caps, and a plethora of extras round out each font.

More Scotch Display is not just a thinner version of Scotch Text wrapped in a higher contrast.

Display sports shorter ascenders and descenders, a unique footprint, great contrast, and a more folded, calligraphic italics.

Display subtly oozes sophistication and provides an attractive, exhuberant companion to Scotch Text.

Scotch Deck rounds out the offering by choosing to be specific to its offering.

Deck utlitizes traits and proportions shared between Text and Display, but alters its overall mass to balance out the needs for settings that require subheadlines, callouts and other similar uses.

Essentially, something not so high-contrast and not so stress dense that works great for middle-sizes.

Although traditional Heiti typefaces may not be as lively as Songti, the modesty of M Hei makes is enduring and stand out from other similar typefaces.

M Heis design is based on the hallmarks of traditional Heiti typefaces: it has little to no thick-thin contrast in strokes and has square cut terminals.

Its dots (), ticks () and downstrokes () are subtly curved and longer than usual; all stems () and crossbars () remain simple and clear; and hooks () appear rounded.

Together they make a harmonious form which is clean but pure, classy but contemporary.