Mary Bacon

Polyline is based on a small 3x5 grid giving it a rather crude and technical look, further emphasized by the monospacing.

Polyline is a command often found in CAD-software that is used to create a series of connected lines.

The typeface can also be installed as an AutoCAD .shx font, included in the download along with the .shp source file and the stroke shapes for all characters as .pdf

Berton Voyage is a handmade Didot typeface created by italian artist Matteo Berton togheter with Zetafonts Typefoundry.

Its chalky look is complemented by a programmed randomization of letterforms to display a realistic hand scribbled look.

An elegant sans with a low lower-case x-height, diamond-shaped dots and a reweighed complimentary italic with subtle calligraphic touches.

With its generous spacing and leading, Argent is very readable in extended text settings, appearing warm and readable.

The wide range of weights, from thin to heavy, provide all the necessary options for headline and text, the basis of any comprehensive design system.

Perfect for brochures and magazines.

The objective of this font is to find the essence of our Latin alphabet and therefore the essence of every single glyph in it.

The search was lead by two principles: 1. What are the basic building blocks of each glyph? 2. Stripped back from any superfluous movements while writing, what shape would remain? The resulting design consists of merely straight lines and circles.

The basic elements of each glyph are accented by a gap.

BOSPHORUS The Bosphorus Turkish: stanbul Boaz, is a narrow, natural strait and an internationally significant waterway located in northwestern Turkey.

It forms part of the continental boundary between Europe and Asia, and separates Asian Turkey from European Turkey.

The worlds narrowest strait used for international navigation, the Bosporus connects the Black Sea with the Sea of Marmara, and, by extension via the Dardanelles, the Aegean and Mediterranean Seas.

More There is not much to say for Bosphorus. Font of my dreams. I can't wait to see the fantastic designs that designers will make with this font. I am sure Bosphorus will carry the designs of graphic designers to a new stage. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design.

Optimized for web, tablet and smartphone applications. Also Bosphorus is a perfect screen display font. TECHNICAL: Bosphorus provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family.

The designation Bosphorus 50 Normal 53 Regular forms the central point. The first figure of the number describes the stroke thickness: 51 Thin to 56 Black. 5 Width / 6 Weights and italics also Bosphorus total 60 types. The family contains a set of 530 characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs.

You can enjoy using it.

Download Codec Cheat Sheets Codec is a geometric sans serif type system, designed by Cosimo Lorenzo Pancini with Francesco Canovaro and Andrea Tartarelli.

Codec provides you with two coherent variant fonts built on the same base skeleton: Codec Cold and Codec Warm.

In Codec Cold terminals are always cut parallel or perpendicular to the baseline, emphasizing geometry and giving the typeface a more constructed look.

In Codec Warm, on the contrary, open diagonal cuts and two-storey letterforms give the typeface a slightly more humanist look and a gentler, warmer text feeling.

More Both Codec Cold and Codec Warm come with a wide range of glyphs for language coverage, including cyrillic and greek alphabets, and of open type features, including small caps, positional numerals and swash forms.

Codec typefaces also include over a hundred variant ligature and alternate glyphs.

These glyphs, usually available as discretionary ligatures, have been made permanently active in the two Codec Logo subfamilies, designed for display use and logo design, and thus available with a bolder weight range and tighter metrics.

Codec Logo Cold makes the cold geometry alive with funky ligatures, while Codec Logo Warm randomly stretches characters: both allow for quick, unexpected solutions in logo design and display type treatment.