Mary Bacon

Fifteen hundred years from now, a man will be selected to go back in time to prevent a catastrophic event which turned his world into a dystopia.

Sent back in time, he was enveloped in empyrean fire, the strands of energy that make up time itself.

Crash-landing near Astro City in late 1985, he learned how to master and channel the empyrean forces that had suffused his body -- finally learning to control his powers in time to prevent the destruction of the Space Shuttle Challenger, the event he had been sent to avert.

He described himself to journalists as nothing more than a Good Samaritan, and has continued to help his fellow man in Astro City ever since.

More John JG Roshell has also been struggling with the empyrean challenge of fitting all of Kurt Busieks ASTRO CITY dialogue into balloons with the regular Samaritan font, so he created the Samaritan Tall font to help his fellow comic book letterers! Its kinda the same thing, really.

Sfera is inspired by bullet resistant combat helmets of titanium. It is based on geometric object, like sphere. Sfera in various styles - Regular, Italic and Stencil - each with its own unique personality.

Lunar is a handwritten sans serif typeface that was created for the opera Pierrot Lunaire during Diaghilev festival 2018 in Perm.

There are 3 fonts in the family of LUNAR: light, regular and bold. It supports all EUROPEAN languages, basic CYRILLIC and GREECE language. Its enough to make sensation!

Sugo Pro is a condensed geometric sans serif with a robust body, slightly rounded corners and no-nonsense street style attitude.

The sturdy, robust design of Sugo makes it an ideal choice for sports branding and street-style editorial use.

Lighter weights provide great legibility at small sizes while the regular and bold weights are more suited to titling, logo and headlines.

More It was designed in 2006 by Francesco Canovaro in two weights (regular and extralight) and later used by Cosimo Lorenzo Pancini as base inspiration for the design of the successful Zetafonts' Cocogoose Pro typeface.

In 2018 the family was completely redesigned by Andrea Tartarelli, expanding the original glyph set to include cyrillic and greek and adding three extra weights and italics.

The restored and revamped version, named Sugo Pro Classic, also includes full Open Type features for positional figures, Alternates and Small Caps, and restores alternate glyph shapes created by Canovaro for the original Sugo, accessible as Stylistic Alternates.

A companion typeface, Sugo Pro Display, uses these alternates as base glyphs and provides a tighter kerning, ideal for display use and logo design.

Zierde is a take on early advertising, small-copy grotesks of the late 19th/early 20th century, and is largely inspired by Miller & Richards own range of Grotesques.

More importantly, Zierde is accompanied by a large set of ornaments (+200) which hark back to the look-and-feel of the early-modernist arts and crafts movement.

The ornaments in, and presentation of, Zierde owe much credit to J.G Schelter & Gieseckes 1913 type specimen book Die Zierde. The strong functional uppercase sans-serifs alongside luscious, beautiful patterns in Die Zierde make for beautiful combinations.

This early-modernist use of grotesk alongside ornament looks bizarre in the eyes of us used to seeing sans-serifs in more formal, sterile settings.

The face itself retains some historical flourishes such as the eccentric leaning angle of the italics, the long cross-bar on the G, the gammy-leg of the R, a strange ampersand and some irregular terminals across the weights.

Zierde is display face meant for headlines, titles, short-copy, labels and logos.

It comes in caps and small caps, Latin and Cyrillic.

Gramatika shapes and styles are consistently tailored to each character to customized to meet this classic grotesque-ish contemporary style.

By offsetting the balance and flexibility, Gramatika established to create alternative communications for current trends and consists of several weights including Light to Black, equipped with Latin Pro, Cyrillic, and Greek language support.

Wak is a lively calligraphy-based sans serif. The simplicity and smoothness of its forms is combined with the sharpness and suddenness of the details.

There are six weights from light to extra bold, with a variety of alternative signs, additional ligatures and initial and final forms with swashes.

Lowercase letters repeat the uppercase pattern. The font is intended for short inscriptions and texts and is adapted for use on the screen.

Wak was designed by Viktor Fitzner, character set expanded by Alexander Lubovenko.

The font was released by ParaType in 2018.

Blacker is a wedge serif type family designed by Cosimo Lorenzo Pancini and Andrea Tartarelli as a take on the contemporary evil serif genre: typefaces with high contrast, 1970s-evoking proportions and sharp wedge serifs.

Design details have been fine-tuned in two subfamilies: the display variant offers tighter kerning, higher contrast and sharper corners for maximum effect at big sizes, while the text variant offers better readability and screen rendering with lower contrast.

Each subfamily comes in six weights from light to heavy, with matching true italics, for a full range of editorial and advertising uses.

More Blacker features an extended character set that covers over seventy languages using the latin alphabet, as well as Russian Cyrillic.

Open type features include small caps, four sets of figures, fractions, superior & inferior figures, alternate forms and discretionary ligatures.

KD Arguru Stencil is a geometric display font that will give your projects an elegant look.

It breaks away from traditional stencil faces by using circle as a main design element.

Originally published in 2014, its now been updated with changes to letter shapes, curves, OT features.

Jiho Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with minimal & modern shapes without any decorative distractions.

The spaces between individual letter forms are precisely adjusted to create the perfect typesetting.

Jiho is versatile type family of 18 fonts. Jiho family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics.

The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets.

Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions, old style-figures and case features.

We highly recommend it for use in signage, books, web pages, screen displays, and so on.

The pan-European Cera Collection is driven by pure geometry and contains the bestselling Cera, its stenciled counterpart Cera Stencil, the hand-crafted display Cera Brush and the soft Cera Round.

Developed for the narrow reading environments of mobile devices, user interfaces and text columns, Cera Condensed and Compact take the clarity and geometry of Cera Pro to new places.

More Narrow but not obviously condensed, Cera Compact is made for efficiency in body text.

With regularly proportioned spacing it has the flexibility for text and headlines, taking up less space without making text less readable.

Super tight Cera Condensed is for when you need a geometric sans that can work in a narrow space, large or small; compact information leaflet or compressed headline.

Condensed or Compact, a broad spectrum of six weights, thin to black, each with matching italics makes these fonts ready for any typographical requirement and reliable typographic tools for interfaces and corporate design.

And it gets even better: for best on-screen performance the TrueType files for the web and desktop fonts are improved with manual hinting.

The extended, pan-European Cera Condensed and Compact support around 150 languages in the Latin, Cyrillic and Greek scripts, and its non-Latin components were developed with native consultants.

With over 980 glyphs per style, Cera Condensed and Compact care about localised letterforms and have the OpenType features to match.