Mary Bacon

Sugo Pro is a condensed geometric sans serif with a robust body, slightly rounded corners and no-nonsense street style attitude.

The sturdy, robust design of Sugo makes it an ideal choice for sports branding and street-style editorial use.

Lighter weights provide great legibility at small sizes while the regular and bold weights are more suited to titling, logo and headlines.

More It was designed in 2006 by Francesco Canovaro in two weights (regular and extralight) and later used by Cosimo Lorenzo Pancini as base inspiration for the design of the successful Zetafonts' Cocogoose Pro typeface.

In 2018 the family was completely redesigned by Andrea Tartarelli, expanding the original glyph set to include cyrillic and greek and adding three extra weights and italics.

The restored and revamped version, named Sugo Pro Classic, also includes full Open Type features for positional figures, Alternates and Small Caps, and restores alternate glyph shapes created by Canovaro for the original Sugo, accessible as Stylistic Alternates.

A companion typeface, Sugo Pro Display, uses these alternates as base glyphs and provides a tighter kerning, ideal for display use and logo design.

Berton Voyage is a handmade Didot typeface created by italian artist Matteo Berton togheter with Zetafonts Typefoundry.

Its chalky look is complemented by a programmed randomization of letterforms to display a realistic hand scribbled look.

Blacker is a wedge serif type family designed by Cosimo Lorenzo Pancini and Andrea Tartarelli as a take on the contemporary evil serif genre: typefaces with high contrast, 1970s-evoking proportions and sharp wedge serifs.

Design details have been fine-tuned in two subfamilies: the display variant offers tighter kerning, higher contrast and sharper corners for maximum effect at big sizes, while the text variant offers better readability and screen rendering with lower contrast.

Each subfamily comes in six weights from light to heavy, with matching true italics, for a full range of editorial and advertising uses.

More Blacker features an extended character set that covers over seventy languages using the latin alphabet, as well as Russian Cyrillic.

Open type features include small caps, four sets of figures, fractions, superior & inferior figures, alternate forms and discretionary ligatures.

DoubleBass is a jazzy four-weights display family inspired by the film title design of Saul Bass.

The font provides an out-of-the-box tool for cartoon modern style logo and heading design.

The alternating sets of capital letters and numbers make sure that a bouncy rhythm is kept - by virtue of open type ligature substitution - while you type away.

Lighter weights can work for small blocks of text, while the regular and heavy weights show their best in big sizes and display uses.

Foreign languages using latin alphabet are covered, as well as Russian cyrillic.

Download Codec Cheat Sheets Codec is a geometric sans serif type system, designed by Cosimo Lorenzo Pancini with Francesco Canovaro and Andrea Tartarelli.

Codec provides you with two coherent variant fonts built on the same base skeleton: Codec Cold and Codec Warm.

In Codec Cold terminals are always cut parallel or perpendicular to the baseline, emphasizing geometry and giving the typeface a more constructed look.

In Codec Warm, on the contrary, open diagonal cuts and two-storey letterforms give the typeface a slightly more humanist look and a gentler, warmer text feeling.

More Both Codec Cold and Codec Warm come with a wide range of glyphs for language coverage, including cyrillic and greek alphabets, and of open type features, including small caps, positional numerals and swash forms.

Codec typefaces also include over a hundred variant ligature and alternate glyphs.

These glyphs, usually available as discretionary ligatures, have been made permanently active in the two Codec Logo subfamilies, designed for display use and logo design, and thus available with a bolder weight range and tighter metrics.

Codec Logo Cold makes the cold geometry alive with funky ligatures, while Codec Logo Warm randomly stretches characters: both allow for quick, unexpected solutions in logo design and display type treatment.