Mary Bacon

Qilla is a simple and elegant font for your projects. Can be used for various purposes such as headings, logos, wedding invitation, t-shirt, letterhead, signage, labels, posters, badges etc.

Qilla comes with two styles, upright and slanted version can be an alternative choice to suit your needs.

Quell is a novel attempt to bridge the gap between geometrically constructed shapes on the one hand, and modulated strokes and subtle calligraphic influence on the other hand.

The visual tension in Quell stems from conflict between two tendencies: The perfectly round shapes are geometrically constructed, yet the contrast of stroke widths and oblique line terminations suggest calligraphic roots.

How this dualism affects typographic impression is up to designers and typographers using Quell as variable font the seamless transition between modulated contrast and linear appearance offers unique typographic possibilities.

Linear appearance gives the text a solid and compelling voice, whereas the modulated styles convey elegance, vibrance and a delicate tone.

More Quell is suited to display setting, headlines, way finding and identity.

The combination of linear and contrast variants provides typographic range to convey different stance while rooted in the same visual heritage.

In short paragraph typesetting the fonts have a modern look and characterful tone, but should not be overused for longer texts.

Quell has been in development for over a year, and is the proud first release under the Underscore label.

Released in 2018 this design by Johannes Neumeier is available from the Underscore webshop as well as selected retailers.

Morning Rain Dot is handmade font with cute little dots. Its great for big and short titles. You can costumize it and make it look even cuter :)

The Genesa typeface is a condensed, rounded sans serif typeface with a contemporary styling ideal for editorial or branding design.

With its 4 weights and accompanying italics, this family can be used for large titles or display settings but is equally legible in small sizes for longer passages of text.

Genesa combines a strong, vertical constructed style with a softer rounded approach that adds a humanist flavour.

This typeface covers multiple languages through an extensive character set and a wide range of Opentype features that allow various character or numeral choices.

A set of over 60 pictograms and arrows are equally features and through their carrying weights, can also be combined seamlessly with any style of the family.

Pial fonts Family includes: Pial Regular that is totally hand-designed, casual and youthful, with lines that sometimes swell extremely, contain 546 glyphs with many stylistic variations, swashes and ligatures.

Pial Sans Regular and Expanded, also hand-designed, and Pial Serif Regular and Condensed to add a little seriousness.

We have added also, a font of ornaments, extras and catchwords in the family.

Using this font you will achieve a very elegant and warm work. Pial Family is very versatile and ideal for logotype design, magazines and book covers, childrens material, fashion, headlines, cards, posters, websites, packaging and, basically, anywhere you want.

Blautha versatile and contemporary sans serif typefacecomes in 8 weights, ranging from Thin to Black, with matching italics and contains a set of alternate characters.

Its small x-height gives it an elegant feel that reminds us of classic typefaces.

Blauth is well-suited to continuous text and its uppercase set is ideal for high-impact headlines while its softened corners give your designs a warm and contemporary look.

Lu Nolasco, also known as Lunol, is a fresh representative of a new generation of Souther American lettering artists.

She was born in Lima, Peru. After learning from some of the regions best teachers and exploring the pointed nib on her own, she became a prolific lettering workshop instructor herself.

More Miraflores is one of Limas main tourist attractions. An upscale district with a great window on the Pacific ocean, it is the place where Lu looks for inspiration.

It particularly inspired this Looking flowers (Miranda las flores), Lunols first typeface, designed in collaboration with Ale Paul.

It is a comprehensive informal script that comes with many alternates, swashes and ligatures, along with small cap and quite a few ornaments.

The fonts cover an expansive range of Latin languages, and are intended for use in stationery, menus, packaging, and general design where the main objective is to relay a sense of fun, playfulness and sensibility.

Wak is a lively calligraphy-based sans serif. The simplicity and smoothness of its forms is combined with the sharpness and suddenness of the details.

There are six weights from light to extra bold, with a variety of alternative signs, additional ligatures and initial and final forms with swashes.

Lowercase letters repeat the uppercase pattern. The font is intended for short inscriptions and texts and is adapted for use on the screen.

Wak was designed by Viktor Fitzner, character set expanded by Alexander Lubovenko.

The font was released by ParaType in 2018.

Terrance Weinzierls Terry Junior typeface is a perfectly imperfect design one that retains the marks of the brush used to create it and harks back to the craft required to hand make letterforms.

Originally drawn during a Monotype Font Marathon, Weinzierl later refined the typeface digitally adding an Inline version and designing alternates that replicate the irregularity of real-life brush scripts.

It has a natural, cheery and bold appearance, says designer Terrance Weinzierl.

Its young, but not wild. Painted, but not sloppy. A sign painters apprentice, perhaps. More Terry Junior is an obvious choice for designers and brands communicating with younger audiences, but would also work well on book covers, packaging, and in digital environments that need a little bit of extra playfulness.

The family includes five fonts, including an Inline version.

Viktor Solt-Bittner drew logo sketches for an insurance company. Luckily for Schriftlabor, they rejected the design, and he turned the sketches into a font family.

Years later, Plantago was expanded, developed and completed by Schriftlabors type directors Franziska Hubmann and Lisa Schultz.

Plantago shows delicate leaf-like stroke endings and subtle curvings and offers condensed and wide variants.

Typeset in 6 weights from Light to Black, 3 widths from Condensed to Extended, both upright and italic, totaling in no less than 36 styles.

M Banquet is a humanistic script written by a Chinese restaurant owner, which the name Banquet comes from.

It is a calligraphic style that always being seen in traditional Chinese banquet menu.

Incorporated a feeling of masculinity, fill with strength and energy and attracts eyeballs of customers.

It was written with a thin ball pen in a unique, personal and expressive writing style, such that it is realistic, natural and masculine.

Contrast of strokes is low and the text is visible and eye-catching. Its light to medium stems () make it suitable for small text to subheading with little conglutination.

All strokes are irregular, inconsistent, irregularly oriented and tightly coupled. Spatial distribution, positioning, size and relative proportion of radicals fully reflect a natural and personal style.

It is one of the few proportional-width font in a full scale. It is best suited for casual lively atmosphere, illustrations, set upright (non-slanted), non-condensed.

M Banquet is a humanistic script written by a Chinese restaurant owner, which the name Banquet comes from.

It is a calligraphic style that always being seen in traditional Chinese banquet menu.

Incorporated a feeling of masculinity, fill with strength and energy and attracts eyeballs of customers.

More It was written with a thin ball pen in a unique, personal and expressive writing style, such that it is realistic, natural and masculine.

Contrast of strokes is low and the text is visible and eye-catching. Its light to medium stems () make it suitable for small text to subheading with little conglutination.

All strokes are irregular, inconsistent, irregularly oriented and tightly coupled. Spatial distribution, positioning, size and relative proportion of radicals fully reflect a natural and personal style.

It is one of the few proportional-width font in a full scale. It is best suited for casual lively atmosphere, illustrations, set upright (non-slanted), non-condensed.

The concept of M Elle comes from M Hei and M Yuen, with a sense of contemporary graphic design, aims to accomplish a refreshing, harmonious balance of softness and toughness.

The combination of regular crossbars () and stems (), rounded hooks () and angles (), as well as dots (), ticks () and downstrokes () that are ended sharply, makes it a classy but contemporary, clean and affectionate typeface.

The font family consists of 3 essential weights to cater for different needs.

Xbold appears elegant and magnificent, Medium weight is practical and affectionate, while the Light style is especially clear, legible and flexible in use.