Mary Bacon

Introducing Russell - An organic and expressive handwritten brush script font designed for versatility.

Its legible; making it perfect for product packaging, editorial work, and poster design, and it oozes personality; great for branding, invitations, and more.

This font packs a real punch with super duper textures and a ton of useful extras (that line is certainly getting copyrighted!) including custom catchwords, ink splatters, underlining brush strokes, and italics! Take a look below to see everything thats included.

---------------------- Whats Inside? ---------------------- - Russell: The original Russell script font boasting a full glyph range with multilingual support.

More - Russell Alternative: An entirely new font with slightly different lowercase and uppercase letters - perfect for improving the handwritten aesthetic.

- Russell Extras: A font full of useful extras (Swashes, strokes, and splatters) that look great with the Russell fonts.

Simply select the Russell Extras font and start typing. - Russell Catchwords: Just like the extras above, this font is packed with 23 bonus custom catchwords that beautifully complement the family.

- Russell & Russell Alternative Italic: Both Russell and Russell Alternative have italic options included, opening up more design possibilities.

Kessel 105 Text is the text specific variation of stablemate, Kessel 105. With a narrower x-height and longer ascenders and descenders, its more traditional proportions make it more economical with space and better suited to continuous text.

Its a versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes.

It has an art deco flavour with sharp points at the apex of many characters.

The Kessel 105 Text family comprises of four weights and includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages.

Harlan is from another place and time. But not just one specific place or time with its barely-there, knifes-edge serifs, and its smooth curves and flourishes, Harlan feels both vintage and modern; both feminine and masculine.

Inspired by the Baltimore bar WC Harlan, which in turn was inspired by the old candle-lit bars of France, the tucked-away osterias of Italy, and the antique books and journals one might find in a patrons hand.

Its a font you'll reach for when you're looking for something refined and elegant, but not too stylized or stuffy.

Fopo is display font family that is perfect for poster, and other commercial work. Alternates glyphs ; A, H, K, R, a, g, k, m, n, r, u and w

Schuss Sans CG Poster 1 upright OTF Font Latin extended, Cyrillic and Greek. Specially developed for headline poster display sizes. A Sans Black Headline-Font in addition to the Schuss superfamily. The heights are optimized for big sizes, different to the text fonts of the Superfamily Schuss.

The character set is slightly different to the non poster styles too. No italic, no additional figures, no tabular figures, no small Caps. But with maximum manual kerning. Ligatures: fi, fl, ff, ffi, ffl. No special OpenType features.