Mary Bacon

Sugo Pro is a condensed geometric sans serif with a robust body, slightly rounded corners and no-nonsense street style attitude.

The sturdy, robust design of Sugo makes it an ideal choice for sports branding and street-style editorial use.

Lighter weights provide great legibility at small sizes while the regular and bold weights are more suited to titling, logo and headlines.

More It was designed in 2006 by Francesco Canovaro in two weights (regular and extralight) and later used by Cosimo Lorenzo Pancini as base inspiration for the design of the successful Zetafonts' Cocogoose Pro typeface.

In 2018 the family was completely redesigned by Andrea Tartarelli, expanding the original glyph set to include cyrillic and greek and adding three extra weights and italics.

The restored and revamped version, named Sugo Pro Classic, also includes full Open Type features for positional figures, Alternates and Small Caps, and restores alternate glyph shapes created by Canovaro for the original Sugo, accessible as Stylistic Alternates.

A companion typeface, Sugo Pro Display, uses these alternates as base glyphs and provides a tighter kerning, ideal for display use and logo design.

URW Geometric is a sans serif typeface inspired by the German geometric typefaces of the 1920s but designed for modern usability.

The character shapes have optimized proportions and an improved balance, the x-height is increased, ascenders and descenders are decreased.

These design characteristics increase the usability and legibility tremendously. Accordingly to the URW Geometric, Boutros Fonts designed the URW Geometric Arabic. 10 weights, which harmonize perfectly with the Latin ones, were created from Thin to Black.

Polyline is based on a small 3x5 grid giving it a rather crude and technical look, further emphasized by the monospacing.

Polyline is a command often found in CAD-software that is used to create a series of connected lines.

The typeface can also be installed as an AutoCAD .shx font, included in the download along with the .shp source file and the stroke shapes for all characters as .pdf

Introducing Russell - An organic and expressive handwritten brush script font designed for versatility.

Its legible; making it perfect for product packaging, editorial work, and poster design, and it oozes personality; great for branding, invitations, and more.

This font packs a real punch with super duper textures and a ton of useful extras (that line is certainly getting copyrighted!) including custom catchwords, ink splatters, underlining brush strokes, and italics! Take a look below to see everything thats included.

---------------------- Whats Inside? ---------------------- - Russell: The original Russell script font boasting a full glyph range with multilingual support.

More - Russell Alternative: An entirely new font with slightly different lowercase and uppercase letters - perfect for improving the handwritten aesthetic.

- Russell Extras: A font full of useful extras (Swashes, strokes, and splatters) that look great with the Russell fonts.

Simply select the Russell Extras font and start typing. - Russell Catchwords: Just like the extras above, this font is packed with 23 bonus custom catchwords that beautifully complement the family.

- Russell & Russell Alternative Italic: Both Russell and Russell Alternative have italic options included, opening up more design possibilities.

Kessel 105 Text is the text specific variation of stablemate, Kessel 105. With a narrower x-height and longer ascenders and descenders, its more traditional proportions make it more economical with space and better suited to continuous text.

Its a versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes.

It has an art deco flavour with sharp points at the apex of many characters.

The Kessel 105 Text family comprises of four weights and includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages.