Mary Bacon

The Revla family just keeps expanding! This is Revla Slab. It has the same exuberant charm as its siblings (Revla Sans and Revla Serif) with a touch more chunk.

OpenType contextual alternates make for text that is lively and bouncy, without the monotony of obviously repeating letterforms.

More Its shamelessly fun, but pretty serious at the same time. The range of weights can be used to maintain an even colour across different sizes - use lighter weights for bigger sizes and vice versa.

OpenType features include automatic fractions, ordinals, contextual alternates (which along with the pseudo-randomness, help maintain a nice tight fit with minimal glyph collisions), standard and discretionary ligatures (OK, only one discretionary ligature, but its a belter!), and case-sensitve forms.

Obviously, in sharing a common skeleton, it will work well with other members of the Revla Superfamily, particularly Revla Sans.

La vie est une fleur dont l'amour est le miel Fleur is the french for flower and I've chosen this language for a good reason.

Over the past 5 years, I've had the opportunity to travel a lot to Paris and I've always tried to to catch every moment, and detail of this delightful city through the eyes of the designer inside me.

Paris is full of surprises mainly for us, artists. In fact, I believe the city is a museum itself. Every corner of any street has something inspiring. But, theres something I particularly love and I want to address here: The Palais Garnier.

Built between 1861 and 1875, this opera house is a dream made true for many of us, who love somptuosité.

Garnier, the architect of this magnificient building, said that the style he proposed was not Grecian nor Roman/baroque, he created something new and called it Napoleonic: Luxurious at its best.

Fleur is inspired in this palace which, in fact, has some similar letters inside.

Garnier put his name at the ceiling of the Rotonde des Abonnés: Letters are interlacing each other with nicely done art nouveau curves.

I thought I could take this idea and achieve something very delicate and imposing at the same time if the font consisted entirely of caps with the logic of a didone and a bit of art-nouveau.

This mix of elegance and flamboyance gave birth to Fleur which has a wide range of uses but was mainly intended for perfumes, fashion magazines, storefronts, book covers or logos.

Not only you'll find many decorative glyphs, but also a vast amount of unique ligatures will make you really adore this font.

Get Fleur and profite de la vie. More TECHNICAL As suggested above, the font has many open-type coded alternates and a vast amount of unique ligatures.

Install the font in applications that support them, like Adobe Illustrator of Photoshop.

View details of Gelion Presentation on Behance. Gelion is a Sans serif with a geometric touch with a minimal contrast of strokes, inspired by form remaining true to the gracefully geometric look of the early 20th-century typefaces, that ticks off a long list of branding requirements.

Gelion carries two type forms with closed and open terminal, simply by changing the alternate character (adobe opentype features) as a whole the shape of the tillers changes.

More Gelion is available in seven weights, and a clean italic carefully crafted slanted 8 degrees.

Equipped with OpenType CFF and TTF fonts formats, like Ligature, Stylistic Alternate, Fractions, Tabular Lining, Subscript - Superscript, Symbols, Arrow, and more.

ZILETTI POP is a font used by Girolamo Ziletti in Venice in mid/late 1500. A typographic caracter characterized by a Venetian style cage with slight geometrical imperfections but with a great perceptual level.

This is a multilayered variant with a wide range of possibility in variations in terms of end results.

With the use of the color your artworks will have news optical effects. Ideal for Covers, Posters, Logos

Warka typeface is based on sans serif. This display family includes 5 font styles. Combinations may give you impressive effects.